Paul Elwood Capricious Apparitions Musical Examples

The following musical examples accompany the article, “Composing for Bowed Banjo and Two Violas: Programmatic Associations and process derived from Instrumental Color and Capabilities,” by Paul Elwood in vol. 26 Online Summer issue of the JAVS:

Juliet White-Smith, viola I
Erika Eckert, viola II
Paul Elwood, banjo

Example 1. Elwood Capricious Apparitions, movt. I, mm 7–11

Example 2. Elwood Capricious Apparitions, movt. I, mm 34–47

Example 3. Elwood Capricious Apparitions, movt. III, mm 14–24

Example 4. Elwood Capricious Apparitions, movt. V, mm 24–30

Example 5. Elwood Capricious Apparitions, movt. II, mm 1–14

Example 6. Elwood Capricious Apparitions, movt. II, mm 20–29

Example 7. Elwood Capricious Apparitions, movt. IV, mm 1–11

Example 8. Elwood Capricious Apparitions, movt. IV, mm 24–28

David Wallace Tannehill Recording

The following recording accompanies the article, “A Case for the American
Viola Waltz,” by David Wallace in vol. 26 no. 1 of the JAVS:

David Wallace, viola

Tannehill

Harding Musical Examples

The following musical examples accompany the article, “Kenneth Harding: A Passion for the Viola,” by Tom Tatton in vol. 25 no. 2 of the JAVS:

Tom Tatton, viola (examples 1–6)
Karen Loewi Jones, viola (examples 2–3, 5–6)
Barbara Hoff, piano (example 1)

Example 1. Harding, Moonlit Apples, mm. 1–19.

Example 2. Harding, Sonatina, mm. 1–8.

Example 3. Harding, Rondo Capriccio, Theme A, mm. 8–21.

Example 4. Harding, Rondo Capriccio, mm. 55–65.

Example 5. Harding, Rondo Capriccio, mm. 209–31.

Example 6. Harding, Rondo Capriccio, mm. 260–73.